Un ballo in Maschera

Giuseppe Verdi

Melodrama in three acts
Libretto by Antonio Somma after Eugène Scribe

From 22. May 2026 until 13. June 2026

  • Duration :
    2 H. 50 Min. Inkl. Pause after approx. 1 H. 30 Min.
  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Musical Director:
Gianandrea Noseda

Gianandrea Noseda

Gianandrea Noseda has been General Music Director of the Zurich Opera House since the 2021/22 season. In addition, he is Music Director of the National Symphony Orchestra and Principal Guest Conductor of the London Symphony Orchestra. In 2019, he became Music Director of the newly founded Tsinandali Festival and the Georgian Pan-Caucasian Youth Orchestra. From 2007 to 2018, Noseda served as General Music Director of the Teatro Regio di Torino, where he artistically reshaped the opera house during his tenure. Noseda has conducted the world’s leading orchestras (Berlin Philharmonic, Chicago Symphony, Concertgebouw Orchestra, Vienna Philharmonic) as well as at the most prestigious opera houses (La Scala, Metropolitan Opera, Royal Opera House) and festivals (BBC Proms, Edinburgh, Salzburg, and Verbier). He has also held leading positions with the BBC Philharmonic (Chief Conductor), the Israel Philharmonic Orchestra (Principal Guest Conductor), the Mariinsky Theatre (Principal Guest Conductor), and the Stresa Festival (Artistic Director). His discography comprises more than 80 CDs, with a special focus on the "Musica Italiana" project, which features neglected 20th-century Italian repertoire. Born in Milan, Noseda is a Commendatore al Merito della Repubblica Italiana and received the Order of Merit of the City of Milan in 2024. In 2015, he was named "Musical America’s Conductor of the Year," was awarded "Conductor of the Year" at the 2016 International Opera Awards, and received the Puccini Prize in 2023. In the same year, the Oper! Awards honored Noseda as "Best Conductor," particularly recognizing his interpretations of the first two "Ring" operas at the Zurich Opera House.

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Ehnes & Noseda23 Nov 2025 Open-Air-Concert28 Jun 2026 / 4 Jul 2027 Mühlemann & Noseda21 / 28 Mar / 1 Apr 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 Kinderopernorcherster23 / 27 / 31 May / 19 / 20 Jun 2027 Concert Kinderopernorchester25 May / 28 Jun 2026 Romeo und Julia23 / 29 / 30 May / 2 / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026
Production:
Adele Thomas

Adele Thomas

Director Adele Thomas is from Wales. Since 2025, she has served alongside Sarah Crabtree as co-artistic director of the Welsh National Opera. She studied directing at Cambridge University and is a graduate of the renowned Regional Theatre Young Directors Scheme as well as the National Theatre Studio course for young directors. She made her debut as an opera director in 2017 with "Così fan tutte" at Northern Ireland Opera in Belfast. Adele Thomas was nominated for an Olivier Award for Handel’s "Berenice" at the Royal Opera in London and "Bajazet", a co-production of the Royal Opera and the Irish National Opera. In 2022, she was nominated for the International Opera Award as a director. Her work as an opera director includes "Tannhäuser" (Theater Magdeburg, 2025), "Rigoletto" (Welsh National Opera, 2024), "Semele" (Glyndebourne, 2023), the Handel evening "In the Realms of Sorrow" (London Handel Festival, 2023), and "Apollo e Dafne" (Royal Opera, 2020). As a theatre director, she has worked on productions including "Oresteia" at Shakespeare’s Globe Theatre in London, "Thomas Tallis" and "The Knight of the Burning Pestle" at the Sam Wanamaker Playhouse, "Macbeth" for the Bristol Tobacco Factory, and "The Weir" for the English Touring Theatre. At the Zurich Opera House, she directed "Il trovatore" and "Un ballo in maschera".

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026
Choreographer:
Emma Woods

Emma Woods

Emma Woods is a British choreographer. She works with directors including Adele Thomas, Paul Foster, Bartlett Sher, and John Wilson, choreographers Alistair David, Chris Gattelli, and Anthony Van Laast, conductors Laurence Cummings, Sir Antonio Pappano, and Christian Curnyn, as well as Rachel Kavanagh, Sarah Travis, and Steve Ridley. Most recently, she worked as choreographer for "Tannhäuser" at the Theater Magdeburg and "Rigoletto" at the Welsh National Opera, and as movement director for "Junkyard" (Backstage Theatre in Peckham) and "A Comedy of Errors" (Silk Street). She also worked as choreographer for "Blond Eckbert"/"Acis und Galatea" at the Potsdam Winter Opera and for "Semele" at the Glyndebourne Opera House, and served as choreographer and associate director for "In the Realms of Sorrow" at the London Handel Festival. Further productions include "Vinegar Tom" at London’s Mack Theatre, "Bajazet", a co-production of the Irish National Opera and the Royal Opera London, "FascinatingAïda" on a UK tour, "Apollo e Daphne" at the Royal Opera, "Così fan tutte" at Nevill Holt Opera and Northern Ireland Opera in Belfast, "The King and I" at the London Palladium, on a UK tour and at Theatre Orb in Japan, as well as "Berenice" at the Royal Opera and "Eyam" at Shakespeare’s Globe Theatre in London. At the Zurich Opera House, she worked as choreographer for "Il trovatore" and "Un ballo in maschera".

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026
Sets and Costumes:
Hannah Clark

Hannah Clark

Hannah Clark is a set and costume designer. She trained in theatre design at Nottingham Trent University and London’s Central School of Speech and Drama. In 2005, she won the Linbury Biennial Prize for stage design. Her recent work includes costumes and set designs for "The Turn of the Screw" at the Royal Opera in London, "Parsifal" at the Prague National Theatre, "La Calisto" at the Festival d’Aix-en-Provence, "Semele" at Glyndebourne Opera House, "Mitridate, re di ponto" and "Idomeneo" at Garsington Opera, "Il trittico" at the Scottish Opera, "In the Realms of Sorrow" at the London Handel Festival, "Berenice" at the Linbury Theatre of the Royal Opera, and "Stiffelio" at the Opéra national du Rhin. She also collaborated with Requardt & Rosenberg on "Future Cargo" and "Deadclub", and with the Royal Shakespeare Company on "Henry VI Rebellion" and "The Wars of the Roses". Further productions include "Alcina" at Opera North, "Così fan tutte" at Northern Ireland Opera, "L’incoronazione di Poppea" at the Opera Theatre of St Louis, and "4.48 Psychosis", among others at the Royal Opera in London and in New York. At the Zurich Opera House, she designed the costumes for Jetske Mijnssen’s "Agrippina" and "Platée", as well as for Andreas Homoki’s "Ariadne auf Naxos".

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026
Lighting Design:
Franck Evin

Franck Evin

Franck Evin, born in Nantes, moved to Paris at the age of 19 to study piano. At night he accompanied singers at the Café-Théâtre Le Connétable and also began to take an interest in lighting. He eventually decided to combine music and technology. Thanks to a scholarship from the French Ministry of Culture, he became assistant to the head of lighting at the Opéra de Lyon in 1983. There he worked with Ken Russell and Robert Wilson, among others. In 1986 he began working as an independent lighting designer at the Düsseldorf Schauspielhaus and obtained his master’s certificate in lighting in 1993. During this time he had a close collaboration with Werner Schröter and the conductor Eberhard Kloke. This was followed by productions in Nantes, Strasbourg, Paris, Lyon, Vienna, Bonn, Brussels and Los Angeles, among other places. From 1995 to 2012 he was Artistic Director of the lighting department at the Komische Oper Berlin, where he was responsible for all new productions. Important artistic partners during this period included Andreas Homoki, Barrie Kosky, Calixto Bieito and Hans Neuenfels. In 2006 Franck Evin was awarded the German Theatre Prize "Opus" in the category of lighting design. From 2012 to 2025 he was Artistic Director of the lighting department at the Zurich Opera House. In addition to his work in Zurich, he continued to work on international productions at opera houses in Oslo, Stockholm, Tokyo, Amsterdam, Munich and Graz, as well as at the Opéra Bastille, Teatro alla Scala, Teatro La Fenice, the Vlaamse Opera and at the Bayreuth Festival.

Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Video:
Tieni Burkhalter

Tieni Burkhalter

Tieni Burkhalter studied Fine Arts at the Zurich University of the Arts (ZHdK), where he specialized in video and video installation. After his works were mainly shown in galleries and at experimental film festivals, he has been working for the stage since 2009. As a video producer, he is closely associated with the Zurich Opera House. His stage work has also taken him to theaters in Berlin, Hamburg, Paris, Moscow, Oslo, and Savonlinna. At the Zurich Opera House, he worked with Andreas Homoki ("Der fliegende Holländer", "Das Land des Lächelns", "Das Rheingold", "Siegfried" and "Die Walküre"), Evgeny Titov ("Lessons in Love and Violence" and "L’Orfeo"), Jan Philipp Gloger ("Die Csárdásfürstin" and "Le nozze di Figaro"), Adele Thomas ("Il trovatore"), Rainer Holzapfel ("Die Odyssee"), Nina Russi ("Coraline") and Kai Anne Schuhmacher ("Jim Knopf und Lukas der Lokomotivführer"). For Ballet Zurich, he produced videos for Christian Spuck ("Anna Karenina" and "Das Mädchen mit den Schwefelhölzern"), Marcos Morau ("Nachtträume"), Edward Clug ("Faust") and Douglas Lee ("A-Life"). He was also involved at the Savonlinna Opera Festival with Philipp Himmelmann for "Aida", in Berlin with Christian Spuck for "Madame Bovary", and has been collaborating for many years on Dmitri Tcherniakov’s productions: "Pelléas et Mélisande" and "Die Sache Makropulos" at the Zurich Opera House, "Senza Sangue/Herzog Blaubarts Burg", "Elektra" and "Salome" at the Hamburg State Opera, "La Fille de Neige" and "Les Troyens" at the Opéra National de Paris, and "Tristan und Isolde" at the Staatsoper Unter den Linden in Berlin.

Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026
Chorus Master:
Klaas-Jan de Groot

Klaas-Jan de Groot

Klaas-Jan de Groot is a Dutch conductor and choral director. Since the 2025/26 season, he has been Chorus Director of the Opernhaus Zürich. After studying in The Hague and Cardiff, he served from 2016 to 2022 as assistant to Chorus Director Ching-Lien Wu at the Dutch National Opera, where he prepared several productions and projects with the opera chorus. Since 2018, he has worked regularly with the Netherlands Radio Choir (Groot Omroepkoor). From 2018 to 2024, he served annually as assistant to Chorus Director Eberhard Friedrich at the Bayreuth Festival. He has conducted various concerts and performances with Opera Zuid as well as with the Orchestra of the Eighteenth Century and the Essener Philharmoniker. From 2022 to 2025, he was Chorus Director of the Aalto-Theater in Essen. Since 2023, he has worked regularly with the NDR Vokalensemble in Hamburg. In 2024, he made his debut with the MDR-Rundfunkchor as well as with the Rundfunkchor Berlin. In recognition of his support for emerging talent, Klaas-Jan de Groot was awarded the prestigious Dutch Conducting Prize of the Anton Kersjes Fonds in 2021.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 La Damnation de Faust10 / 14 / 17 May 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Cardillac18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Ascanio in Alba13 / 20 Mar 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027
Dramaturgy:
Fabio Dietsche

Fabio Dietsche

Fabio Dietsche studied dramaturgy at the Zurich University of the Arts as well as cross flute with Maria Goldschmidt in Zurich and with Karl-Heinz Schütz in Vienna. He gained his first experience as a dramaturge in 2012/13 with Xavier Zuber at Konzert Theater Bern, where he accompanied, among others, Matthias Rebstock’s production of "neither" (Beckett/Feldman) at the Berner Reithalle. Since 2013, he has been a dramaturge at the Zurich Opera House, where he completed his studies with the production dramaturgy of Puccini’s "La bohème." There, he has been involved, among others, in the world premieres of Stefan Wirth’s "Girl with a Pearl Earring" and Leonard Evers’ "Odyssee," the chamber opera "Jakob Lenz" by Wolfgang Rihm, and the Swiss premiere of Manfred Trojahn’s "Orest." He has worked with, among others, Robert Carsen, Tatjana Gürbaca, Rainer Holzapfel, Andreas Homoki, Ted Huffman, Mélanie Huber, Barrie Kosky, Hans Neuenfels, and Kai Anne Schuhmacher. He is currently studying cultural management on a part-time basis at the University of Zurich.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Monster's Paradise12 Apr 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Rinaldo22 / 24 / 26 / 28 Feb / 14 / 19 / 23 / 25 / 27 / 29 Mar 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Cast


Riccardo Stephen Costello


Renato Dalibor Jenis


Amelia Elena Stikhina


Ulrica Yulia Matochkina


Oscar Rebeca Olvera


Silvano Steffan Lloyd Owen


Samuel Brent Michael Smith


Tom Stanislav Vorobyov


Un giudice Martin Zysset


Un servo d’Amelia Samuel Wallace


Tänzer:innen Sina Friedli


Tänzer:innen Jessica Falceri


Tänzer:innen Sara Peña


Tänzer:innen Sara Pennella

Tänzer:innen Evelyn Tritto


Tänzer:innen Cristian Alex Assis


Tänzer:innen Lukas Bisculm


Tänzer:innen Pietro Cono Genova


Tänzer:innen Daniele Romano


Tänzer:innen Roberto Tallarigo

Stephen Costello

Tenor Stephen Costello is from Philadelphia and studied at the Academy of Vocal Arts. In 2007, at the age of 26, he made his debut at the opening of the Metropolitan Opera season in New York. In 2009, he won the Richard Tucker Award. Since then, he has performed at the world’s leading opera houses and festivals, including the Royal Opera in London, the Deutsche Oper Berlin, the Vienna State Opera, the Opéra national de Paris, the Gran Teatre del Liceu, the Semperoper Dresden, the Bavarian State Opera in Munich, the Lyric Opera of Chicago, the Hamburg State Opera, the San Francisco Opera, the Washington National Opera, the Bolshoi Theatre in Moscow, the Arena di Verona, as well as the Salzburg and Bregenz Festivals and the Glyndebourne Festival. His recent engagements include Pinkerton ("Madama Butterfly") at the Grand Théâtre de Genève, Rodolfo ("La bohème"), the Duke of Mantua ("Rigoletto"), and Greenhorn ("Moby Dick") at the Metropolitan Opera, the title role in "Don Carlo" at the Bavarian State Opera and Dallas Opera, as well as his role debut as Edward Fairfax Vere ("Billy Budd") at the Teatro Colón. In concert, he has performed Beethoven’s Symphony No. 9 with Michael Tilson Thomas and the Houston Symphony Orchestra, gave a gala concert with Kristine Opolais in Mexico, and appeared in recitals with pianist Anthony Manoli. At the Zurich Opera House, he appeared as Roméo ("Roméo et Juliette") and in the title roles of "Roberto Devereux" and "Don Carlo".

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 30 Aug 2026 Don Carlo1 / 6 / 8 / 11 Jul 2027

Dalibor Jenis

Baritone Dalibor Jenis studied voice at the Conservatory in Bratislava and at the Accademia Lirica Osimo. In 1990, he won three prizes at the Belvedere Singing Competition in Vienna and became a member of the ensemble at the Slovak National Theatre the following year. His repertoire includes the major baritone roles in the operas of Bellini, Rossini, Mozart, and Verdi. He has sung Nabucco at the Deutsche Oper Berlin, the Arena di Verona, in Bratislava, and at the Bavarian State Opera in Munich, Rigoletto at the Sydney Opera House, Leipzig Opera, Stuttgart State Opera, and the Savonlinna Opera Festival, and the title role in "Macbeth" at the Zurich Opera House, the Teatro Regio di Torino, the Edinburgh Festival, and the Théâtre des Champs-Élysées in Paris. At La Scala in Milan, he portrayed Paolo Albiani ("Simon Boccanegra"), at the Vienna State Opera Iago ("Otello"), at the Deutsche Oper Berlin Alfio and Tonio ("Cavalleria rusticana" and "Pagliacci"), at the Opera in Bratislava Giorgio Germont ("La traviata"), at the Bolshoi Theatre in Moscow Lescaut ("Manon Lescaut"), and at the Bavarian State Opera Marcello ("La bohème"), Enrico ("Lucia di Lammermoor"), Eugene Onegin, and most recently Rigoletto. He also sang the title role in the Japanese premiere of Busoni’s "Doktor Faust" in Tokyo and took part in the premiere of Offenbach’s "Die Rheinnixen" at the Festival de Radio France. Numerous recordings featuring Dalibor Jenis are available, including "Gianni Schicchi", "Christoph Columbus", "Edgar", "Marion Delmore", as well as the DVD recording of "Il barbiere di Siviglia" from the Paris Bastille Opera.

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 30 Aug 2026

Elena Stikhina

Russian soprano Elena Stikhina studied at the Moscow Conservatory and at the Galina Vishnevskaya Opera Singing Centre. She made her debut as Salome at the Mariinsky Theatre in St. Petersburg, where she later became a member of the ensemble. In 2016, she won, among other distinctions, the Culturarte Prize at the Operalia Competition. She is regularly invited to perform at renowned venues including the Metropolitan Opera in New York, La Scala in Milan, the Opéra national de Paris, the Vienna State Opera, the Bavarian State Opera in Munich, the Salzburg Festival, and the Royal Opera House in London. Her recent engagements include the title role in "Tosca" at the Dutch National Opera in Amsterdam, the Vienna State Opera, and the Opéra de Paris. In addition, she sang the title role in Tchaikovsky’s "The Maid of Orleans" in Amsterdam, Salome at the Lyric Opera of Chicago, in Geneva, and at La Scala in Milan, Cio-Cio-San ("Madama Butterfly") at the Deutsche Oper Berlin and the Metropolitan Opera in New York, Senta ("Der fliegende Holländer") and Elisabetta ("Don Carlo") at the Vienna State Opera, as well as Aida at the Grand Théâtre de Genève, the Bavarian State Opera, and the Salzburg Festival, where she had made her debut in 2019 in the title role of Cherubini’s "Médée". At the Zurich Opera House, she appeared among others as Salome and Manon Lescaut.

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 30 Aug 2026 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026

Yulia Matochkina

Russian mezzo-soprano Yulia Matochkina received her training at the Glazunov Conservatory in Petrozavodsk. From 2009 to 2015, she was a member of the Opera Academy of the Mariinsky Theatre in St. Petersburg. She subsequently became a permanent ensemble member there and won the Tchaikovsky Competition in Moscow. Guest engagements have taken her to venues including the Deutsche Oper Berlin, the Bavarian State Opera in Munich, the Teatro dell’Opera in Rome, Teatro alla Scala in Milan, the Royal Opera in London, the Gran Teatre del Liceu in Barcelona, the Opéra national de Paris, the Metropolitan Opera in New York, the Los Angeles Opera, as well as the festivals in Edinburgh, Verbier, Baden-Baden, and Salzburg. Her repertoire includes roles such as Amneris ("Aida"), Eboli ("Don Carlo"), Brangäne ("Tristan und Isolde"), Venus ("Tannhäuser"), Dalila ("Samson et Dalila"), Didon ("Les Troyens"), Azucena ("Il trovatore"), Olga ("Eugene Onegin"), Santuzza ("Cavalleria rusticana"), Marfa ("Khovanshchina"), and the title role in "Carmen". Her recent engagements include Venus, Azucena, Ulrica ("Un ballo in maschera"), Eboli, and Santuzza at the Bavarian State Opera, Federica ("Luisa Miller") and Ortrud ("Lohengrin") in Moscow and at the Hamburg State Opera, Amneris at the Deutsche Oper Berlin, as well as Azucena at the Royal Opera in London.

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 30 Aug 2026

Rebeca Olvera

Rebeca Olvera is from Mexico. She studied at the Conservatorio Nacional de Música in Mexico City and was a member of the International Opera Studio at the Zurich Opera House from 2005 to 2007. She subsequently became a permanent ensemble member here and sang roles including Adina ("L’elisir d’amore"), Norina ("Don Pasquale"), Berenice ("L’occasione fa il ladro"), Giulia ("La scala di seta"), Rosina (Paisiello’s "Il barbiere di Siviglia"), Blonde ("Die Entführung aus dem Serail"), Madame Herz ("Der Schauspieldirektor"), Dorinda ("Orlando"), Isolier ("Le comte Ory"), Adalgisa ("Norma"), and Zaida ("Il turco in Italia"). In doing so, she worked with conductors such as Ralf Weikert, William Christie, Marc Minkowski, Nello Santi, Adam Fischer, Fabio Luisi, Diego Fasolis, Franz Welser-Möst, Emmanuelle Haïm, and Alessandro De Marchi. She gave concerts with José Carreras in South America and Europe (including the Carreras Gala 2007 on ARD) and with Plácido Domingo in Mexico. She sang Adalgisa alongside Cecilia Bartoli at the Théâtre des Champs-Élysées, the Edinburgh Festival, and the Festspielhaus Baden-Baden, Isolier at the Opéra de Monte-Carlo, Clorinda ("La Cenerentola") at the Vienna State Opera, and Contessa di Folleville ("Il viaggio a Reims") at the Royal Danish Opera. She also appeared as Berta ("Il barbiere di Siviglia") and in the gala concert "Carmencita & Friends" at the Salzburg Festival. In Zurich, she was most recently heard as Despina ("Così fan tutte"), Musetta ("La bohème"), Frasquita ("Carmen"), Mi ("Das Land des Lächelns"), Stasi ("Die Csárdásfürstin"), and Waldvöglein ("Siegfried").

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 30 Aug 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026

Steffan Lloyd Owen

Baritone Steffan Lloyd Owen is from Wales and studied at the Royal Northern College of Music in Manchester. He received numerous singing awards, including the W. Towyn Roberts Scholarship Prize, the Blue Riband Osborne Roberts Memorial Prize at the National Eisteddfod of Wales, and the Kathleen Ferrier Bursary Prize. In 2025, he won the Josep Palet Singing Competition and was a finalist at the Paris Opera Competition. He sang Sciarrone and the Jailer in a semi-staged "Tosca" alongside Sir Bryn Terfel and Kristine Opolais at the Llangollen International Musical Eisteddfod, Escamillo ("La tragédie de Carmen") at the Buxton International Festival, and Guglielmo ("Così fan tutte") at the Welsh National Opera. Concert highlights included Beethoven’s Mass in C major and "Choral Fantasy" with the BBC National Orchestra, Chorus of Wales, and the orchestra of the Welsh National Opera. Since the 2024/25 season, he has been a member of the International Opera Studio, where he has sung, among other roles, the title role in "Gianni Schicchi".

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027

Brent Michael Smith

Brent Michael Smith is from the United States. He studied voice at the Academy of Vocal Arts in Philadelphia and at the University of Northern Iowa, as well as piano at Hope College in Michigan. In 2021, he was a finalist at the Queen Sonja International Music Competition and a semifinalist at the Metropolitan Opera Council Auditions in 2020, and he won prizes at several other international singing competitions. He also received scholarships from the Loren L. Zachary Society and the Young Patronesses of the Opera Competition in Miami. In the United States, he sang roles including Zuniga ("Carmen"), Friedrich Bhaer (Mark Adamo’s "Little Women"), and Ashby ("La fanciulla del West") at Michigan Opera, Antonio ("Le nozze di Figaro") at Toledo Opera, Ariodante ("Xerxes") at the Glimmerglass Festival, Lakai ("Ariadne auf Naxos") at the Santa Fe Opera, as well as Celio (Prokofiev’s "The Love for Three Oranges") and Peter Quince ("A Midsummer Night’s Dream") at Opera Philadelphia. In 2020/21, he was a member of the International Opera Studio at the Zurich Opera House. Since then, he has been a member of the ensemble and has appeared there in roles including Sparafucile ("Rigoletto"), Raimondo ("Lucia di Lammermoor"), Prince Gremin ("Eugene Onegin"), Frère Laurent ("Roméo et Juliette"), Fafner ("Das Rheingold"), and Angelotti ("Tosca").

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Die Zauberflöte18 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027

Stanislav Vorobyov

Stanislav Vorobyov is from Russia and studied at the Moscow Conservatory. He was a member of the International Opera Studio and has been a member of the ensemble at the Zurich Opera House since the 2018/19 season. Here, he has appeared in roles including Colline ("La bohème"), Alidoro ("La Cenerentola"), the High Priest ("Nabucco"), Reinmar von Zweter ("Tannhäuser"), Zaretsky ("Eugene Onegin"), Angelotti ("Tosca"), the Fifth Jew and First Nazarene ("Salome"), Lord Rochefort ("Anna Bolena"), Dottor Grenvil ("La traviata"), Crébillon ("La rondine"), Zuniga ("Carmen"), Roberto ("I vespri siciliani"), Roucher ("Andrea Chénier"), Marchese Calatrava ("La forza del destino"), Tom ("Un ballo in maschera"), as well as Faust ("Der feurige Engel") and Méphistophélès ("La Damnation de Faust"). Guest engagements have taken him to the Bregenz Festival as Don Basilio in "Il barbiere di Siviglia", Uncle Bonzo in "Madama Butterfly", and Il capitano/L’ispettore in Giordano’s "Siberia", to Opera Ballet Vlaanderen and Luxembourg as Nourabad in "Les Pêcheurs de perles", to the Concertgebouw Amsterdam as Ombra di Nino in "Semiramide", and in 2024 as Colline in "La bohème" at the Tokyo Metropolitan Theatre and the ROHM Theatre Kyōto.

Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Martin Zysset

Martin Zysset was born and raised in Solothurn. He trained in clarinet while simultaneously pursuing vocal studies, which he complemented with masterclasses with Ernst Haefliger and Edith Mathis. In 1990/91, he was a member of the International Opera Studio at the Zurich Opera House and at the same time a scholarship recipient from the Migros Cooperative Union as well as a prizewinner in the Pro Arte Lyrica Competition in Lausanne. Since 1992, he has been a regular guest at the Summer Festival in Selzach. He has been permanently engaged at the Zurich Opera House since 1991. Here, he has developed a broad repertoire of both buffo and dramatic roles, including Pedrillo, Monostatos, Spoletta, Incredibile ("Andrea Chénier"), Jaquino, Kudryash ("Káťa Kabanová"), Alfred ("Die Fledermaus"), Tamino, Tybalt, Dancaïro, Arturo, Knusperhexe, Brighella, as well as the male lead in Udo Zimmermann’s "Weiße Rose." He performed Simplicius in the operetta of the same name by Johann Strauss, which was also released on CD and DVD. Guest appearances have taken him across Europe, to Shanghai, and with "The Magic Flute," "Le nozze di Figaro," "Fidelio," and "Tannhäuser" to San Diego. For the Bayerischer Rundfunk, he recorded the Lehár operetta "Paganini." In Zurich, he has most recently sung roles including Don Basilio ("Le nozze di Figaro"), Tschekalinski ("Pique Dame"), Triquet ("Eugene Onegin"), the Chief Eunuch ("The Land of Smiles"), Goro ("Madama Butterfly"), Spoletta ("Tosca"), Dormont ("La scala di seta"), the White Minister ("Le Grand Macabre"), the Devil/Narrator ("The Soldier’s Tale"), the Third Jew ("Salome"), Schmidt ("Werther"), Feri ("Die Csárdásfürstin"), and Don Curzio ("Le nozze di Figaro").

La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027

Samuel Wallace

Samuel Wallace is from Brazil, where he studied singing with Lício Bruno. In 2024, he received a scholarship from the Mozarteum Brasileiro and subsequently participated in Rolf Beck’s International Choir Academy in Lübeck. During this time, he gave concerts in Germany as well as at the Philharmonie de Paris under Raphaël Pichon. His operatic repertoire includes roles such as Tamino ("The Magic Flute") and the title role in Guilherme Bernstein’s opera "Serafim und der Ort, an dem man nicht stirbt." In 2024, he performed Dorvil in Rossini’s "La scala di seta" and participated in the Gala Lírica of the 13th Tenor Meeting of Brazil at the Teatro Amazonas in Manaus. He was a semifinalist at the Paris Opera Competition, a finalist at the Maria Callas Competition, and a prizewinner in the Joaquina Lapinha and Natércia Lopes singing competitions. Since 2025/26, he has been a member of the International Opera Studio at the Zurich Opera House.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Sillons de Mémoires5 / 6 / 7 Feb 2026

Sina Friedli

Cast

Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026

Jessica Falceri

Cast

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026

Sara Peña

Cast

Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026

Sara Pennella

Cast

Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026

Evelyn Tritto

Cast

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026

Cristian Alex Assis

Cast

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026

Lukas Bisculm

Cast

Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 Jun / 26 / 27 / 29 / 30 Aug 2026

Pietro Cono Genova

Pietro Cono Genova is originally from Italy. He completed his training at the Teatro Massimo Bellini in Catania and moved to Switzerland in 2013 to work with the Cinevox Junior Company. After six years as a soloist, contemporary dance teacher, and assistant with the company, he began working as a freelancer on various dance projects in Switzerland and across Europe. Most recently, he danced with the new company Cie La Ronde, directed by Cathy Marston and Ihsan Rustem. Pietro Cono Genova is currently working with the Zurich Opera House and the Theater im Kornhaus Baden.

Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 Jun / 26 / 27 / 29 / 30 Aug 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026

Daniele Romano

Cast

Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 Jun / 26 / 27 / 29 / 30 Aug 2026

Roberto Tallarigo

Cast

Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 Jun / 26 / 27 / 29 / 30 Aug 2026
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Orchester der Oper Zürich

Cast

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Tugan Sokhiev12 Jul 2026 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Capuçon & Heras-Casado4 Oct 2025 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 / 11 / 13 / 16 / 18 / 27 Sept 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Ehnes & Noseda23 Nov 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Altstaedt & Chan11 Jan 2026 Jussen & Rustioni8 Feb 2026 Celebratory concert for Ralf Weikert’s 85th birthday22 Feb 2026 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Romeo und Julia23 / 29 / 30 May / 2 / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun / 20 / 27 / 29 Nov / 6 / 13 / 19 / 26 / 27 Dec 2026 Open-Air-Concert28 Jun 2026 / 4 Jul 2027 Mühlemann & Noseda21 / 28 Mar / 1 Apr 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Ein Sommernachtstraum26 Sept / 11 / 16 / 18 / 25 / 28 / 29 / 31 Oct / 12 / 13 / 14 Nov 2026 / 19 / 22 / 29 Jun / 3 Jul 2027 1th Philharmonic Concert3 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Fuchs & Jordan1 / 2 Jan 2027 Trifonov & Järvi16 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Sorita & Lyniv14 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Balanas & Peltokoski18 Apr 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 See the music, hear the dance22 / 28 May / 6 / 10 / 12 / 15 / 25 / 26 / 27 Jun 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Viotti29 May 2027 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Benefiz «amiamusica»2 Oct 2026

Chor der Oper Zürich

Der Chor der Oper Zürich bildet mit seinen 60 festangestellten Mitgliedern und der Mitwirkung von bis zu 160 Vorstellungen pro Saison einen wesentlichen Eckpfeiler des künstlerischen Ensembles am Opernhaus Zürich. Er vereinigt unter dem Dach des traditionsreichsten schweizerischen Opernhauses Sängerinnen und Sänger auf höchstem professionellen Niveau, deren musikalische und stilistische Versiertheit sich mit darstellerischer Gestaltungskraft und spontaner Spielfreude verbinden. Regelmässig stellen seine Mitglieder auch als Solisten ihr künstlerisches Format unter Beweis. Der Chor spiegelt in seiner internationalen Zusammensetzung den Anspruch und die Strahlkraft der Oper Zürich wieder, die sich durch zahlreiche DVD-Aufnahmen erwiesen haben und 2104 mit dem Preis der «Opera Company of the Year» ausgezeichnet wurden. Wichtige musikalische Impulse erhielten die Chormitglieder durch die Arbeit mit Dirigenten wie Nello Santi, Nikolaus Harnoncourt, Franz Welser-Möst, Bernard Haitink, Riccardo Chailly, Valery Gergiev, Daniele Gatti, Zubin Mehta und Fabio Luisi. Ihre schauspielerischen Fähigkeiten entwickelten sie im Dialog mit Regisseuren wie David Pountney, Robert Wilson, Harry Kupfer, Peter Stein, Peter Konwitschny oder Andreas Homoki. Gastspiele führten den Chor nach Tokio (Der Rosenkavalier und La traviata), London (Die Meistersinger von Nürnberg, Tannhäuser, Der fliegende Holländer), Paris (La cenerentola, Fierrabras), Athen (Carmen, Idomeneo) oder nach Rom, wo er anässlich einer Papstmesse zur Feier des 500-jährigen Bestehens der Schweizer Garde Mozarts Krönungsmesse aufführte. Als «International Chamber Vocalists» wirkte der Chor der Oper Zürich in der 2014 mit einem Echo-Preis ausgezeichneten Neueinspielung von Vincenzo Bellinis Norma mit.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 / 7 / 10 / 12 / 16 / 18 / 21 Mar 2027 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun / 26 / 27 / 29 / 30 Aug 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Statistenverein am Opernhaus Zürich

Der Statistenverein am Opernhaus Zürich wurde im Jahr 1900 gegründet und dürfte damit einer der traditionsreichsten Vereine auf dem Kulturplatz Zürich sein. Rund hundert Frauen und Männer im Alter von 16 bis 70 Jahren bereichern das Bühnengeschehen in zahlreichen Inszenierungen.Statisten, früher auch als Figuranten bezeichnet, haben generell nicht sprechende Rollen. Ihre Einsätze am Opernhaus Zürich fallen je nach Inszenierung unterschiedlich umfangreich aus. Während früher Massenszenen im Vordergrund standen, sind die Statistinnen und Statisten seit der Ära Pereira und der Intendanz von Andreas Homoki zunehmend auch für aufwändigere Einzelauftritte sowie für anspruchsvolle technische Einsätze gefragt. Die Mitglieder des Statistenvereins üben ihre Einsätze in der Freizeit und ohne finanzielle Interessen aus. Sie bringen Begeisterung für Musik und Theater mit.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Sillons de Mémoires5 / 6 / 7 Feb 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Rinaldo22 / 24 / 26 / 28 Feb / 14 / 19 / 23 / 25 / 27 / 29 Mar 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027

Abstract

In the middle of his creative career, Giuseppe Verdi achieved one of his most multifaceted scores with "Un ballo in maschera". Embedded in striking ensemble scenes that oscillate between operetta-like comedy, mysterious oracle magic and dark conspiracy drama, Verdi focuses on the private fate of a politician: Riccardo, the Governor of Boston, is in love with Amelia, the wife of his best friend and advisor Renato. When the two are discovered during a passionate nocturnal meeting, Renato joins the conspirators and identifies Riccardo in disguise at the masked ball.

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Trailer «Un ballo in maschera»


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Synopsis

Discover the heart of every story: Our synopses provide guidance on the plot and the conflicts that drive its characters.

Act 1
Riccardo is the governor of Boston. In the Senate he has supporters, but there are also some who plot against him. Riccardo's page, Oscar, presents him with the guest list for a ball. Riccardo notices the name of Amelia, his best friend Renato’s wife, whom he secretly loves. He dreams of seeing her again. Renato, who is a political supporter of Riccardo, comes to warn Riccardo about a conspiracy against him. But Riccardo does not want to listen. The Chief Justice appears with a motion to banish Ulrica, a fortune-teller who is spreading dangerous rumours. Oscar defends Ulrica. Riccardo and his entourage decide to visit Ulrica in disguise and form their own impression of her.

Ulrica the fortune-teller is conjuring up the spirits. Riccardo, disguised as a fisherman, mingles with the crowd. The sailor Silvano has his fortune told. With a little help from Riccardo, the prophecy that Silvano will receive gold and a promotion is immediately fulfilled. A servant announces Amelia, who wants to ask for the fortune-teller’s guidance. Ulrica sends everyone away. Only Riccardo remains secretly in the background, and overhears that Amelia wants to end her impossible love for him. Ulrica sends Amelia to a place outside the city to find a healing herb. Riccardo decides to follow Amelia there. When Amelia has left and the people have returned, Riccardo introduces himself as a fisherman, and asks Ulrica to predict the future. Ulrica predicts that he will soon be murdered, by the first friend to shake his hand today. Riccardo refuses to believe this prophecy. When his friend Renato arrives and shakes his hand, he is certain that Ulrica's prophecy is wrong.

Act 2
Amelia is outside Boston, searching for the healing herb that will help her forget her love for Riccardo. Riccardo has followed her. He passionately reaffirms his love for Amelia, and urges her to confess her love too. Unexpectedly, Renato appears, urgently warning Riccardo of an ambush. Amelia veils her face. Riccardo is persuaded to flee, and instructs Renato to take the veiled woman to the city without looking at her. The conspirators Samuel and Tom and their companions arrive, and realise that Riccardo has eluded them. In the melee Amelia's veil is lifted. The conspirators are amused by this discovery, but Renato is deeply shocked by his wife's infidelity and his best friend's betrayal. He asks Samuel and Tom to come to him the next morning.

Act 3
Renato threatens Amelia with death. She begs him to let her see her son once more. Renato diverts his anger away from her, deciding instead to take revenge on Riccardo. When Samuel and Tom arrive, Renato announces that he wants to join their conspiracy. They draw lots to decide who will be permitted to murder Riccardo. Amelia is forced to draw the lot. It falls on Renato. Oscar delivers an invitation to a masked ball at Riccardo's house.

Riccardo decides to renounce Amelia. He wants to send her and Renato to England together. Despite an anonymous warning, Riccardo goes to the masked ball. At the ball, Renato tries to get Oscar to tell him about Riccardo's costume. Oscar refuses at first, but then blurts it out. Amelia and Riccardo recognise each other at the ball. He tells her that she must leave with Renato, and bids her farewell. At that moment, Renato shoots Riccardo. The dying Riccardo swears Amelia’s innocence.