Recital Asmik Grigorian

9. February 2026

Works by Richard Strauss, Sergei Rachmaninoff, Georges Bizet, Gabriel Fauré, Olivier Messiaen, Maurice Ravel and Reynaldo Hahn

  • Duration :
    approx. 1 H. 45 Min. Inkl. Pause after 1st part after approx. 35 Min.

Cast


Sopran Asmik Grigorian


Klavier Lukas Geniušas

Asmik Grigorian

Asmik Grigorian was born in Vilnius and studied at the Lithuanian Academy of Music and Theatre. She began her international career as Cio-Cio-San in „Madama Butterfly“ at the Royal Opera Stockholm. She quickly developed into one of the most prominent sopranos of her generation and has since appeared at the most important opera houses in the world. At the International Opera Awards, she was named „Best Young Singer“ in 2016 and „Singer of the Year“ in 2019. She made her debut at the Salzburg Festival in 2017 as Marie in „Wozzeck“. A year later, under the musical direction of Franz Welser-Möst, she gave her internationally acclaimed role debut as Salome there, which earned her the Austrian Music Theatre Award in 2019 as „Best Female Lead Role“. In 2021, she made her debut at the Bayreuth Festival as Senta in „Der fliegende Holländer“. In the 2021/22 season, she debuted in the title role of „Jenůfa“ at the Royal Opera House London and appeared as Tatjana in „Eugen Onegin“ as well as in the title role of „Manon Lescaut“ at the Vienna State Opera. Further engagements took her as Lisa in „Pique Dame“ to La Scala in Milan and Baden-Baden, as Jenůfa to the Staatsoper Unter den Linden Berlin, as Salome to the Metropolitan Opera New York, and as Rusalka to the Royal Opera House London. In the 2024/25 season, Asmik Grigorian made her debut in the title role of „Rusalka“ at the Teatro di San Carlo in Naples, the Gran Teatre del Liceu in Barcelona, and the Bavarian State Opera Munich. She also debuted as Elisabetta („Don Carlo“) at the Vienna State Opera and as Norma at the Theater an der Wien. In the summer, she returned as Salome with the London Symphony Orchestra under Antonio Pappano and sang Lady Macbeth („Macbeth“) at the Salzburg Festival. In the 2025/26 season, she will appear, among other roles, as Desdemona in „Otello“, Senta, and Tatjana. In March 2022, her debut album „Dissonance“ featuring songs by Sergei Rachmaninoff was released.

Recital Asmik Grigorian9 Feb 2026

Lukas Geniušas

Lukas Geniušas wurde 1990 in Moskau geboren. Mit fünf Jahren wurde er in die Vorbereitungsklasse der Moskauer Chopin-Musikschule aufgenommen. Hier erhielt er 2008 ein Abschlussdiplom mit Auszeichnung. Er wurde bereits in jungen Jahren bei verschiedenen Wettbewerben ausgezeichnet, unter anderem der Gina Bachauer Piano Competition (Salt Lake City), dem Internationalen Chopin Wettbewerb (Warschau) und dem 2010 International German Piano Award 2012 (Frankfurt am Main). 2015 erhielt er eine seiner wichtigsten Auszeichnungen: die Silber-Medaille beim XV. Tschaikowski Wettbewerb (Moskau). Lukas Geniušas konzertierte mit verschiedenen Orchestern (Hamburger Symphoniker, Duisburger Sinfoniker, BBC Scottish Symphony, St. Petersbourg Philharmoniker, Kremerata Baltica, Orchester des Mariinsky-Theaters, City of Birmingham Symphony Orchestra) unter der Leitung von Dirigenten wie Valery Gergiev, Mikhail Pletnev, Andrey Boreyko und Dmitry Sitkovetsky. Sein Interesse gilt der Barock- sowie der zeitgenössischen Musik. Er beherrscht ein breit gefächertes Repertoire und spielt ebenso gern Werke moderner Komponisten wie auch in Vergessenheit geratene Kompositionen. Diese Vielseitigkeit spiegelt sich in seiner Diskografie wieder, welche nicht nur frühe Einspielungen von Sonaten von Brahms und Beethoven, die Etudes Op. 10 und 25 von Chopin und sämtliche Preludes von Rachmaninow umfasst, sondern auch neue CDs wie beispielsweise «The Emancipation of Dissonance» (Werke von Desyatnikov, Arzumanov und Ryuabov) oder eine Einspielung der Werke für Klavier und Violine von Aylen Pritchin.

Recital Asmik Grigorian9 Feb 2026
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Abstract

The internationally acclaimed soprano Asmik Grigorian is known for her intense interpretations and exceptional stage presence. In this recital, she joins pianist Lukas Geniušas to present a program that is as subtle as it is powerful, bringing together works of Russian late Romanticism and French Impressionism. A particular focus is placed on compositions by Richard Strauss, whose moving “Four Last Songs” form the radiant climax of the evening.

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