Ascanio in Alba

Wolfgang Amadeus Mozart

Serenata teatrale in two acts
Libretto by Giuseppe Parini

13. & 20. March 2027

  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.
    Concert performance
    As part of Zurich Baroque
    © Poster image by Peter Paul Rubens

Musical Direction:
Christophe Rousset

Christophe Rousset

Christophe Rousset, founder of the ensemble Les Talens Lyriques and internationally renowned harpsichordist, is one of the leading figures in historical performance practice. As a musician and conductor, he is particularly dedicated to the opera repertoire and the rediscovery of European musical heritage. He studied harpsichord at the Schola Cantorum in Paris with Huguette Dreyfus and continued his training at the Koninklijk Conservatorium in The Hague with Bob van Asperen. At the age of 22, he won First Prize at the International Harpsichord Competition in Bruges. In 1991, he founded Les Talens Lyriques. With his ensemble, he regularly appears at leading opera houses and concert halls in Europe, including the Opéra national de Paris, the Opéra-Comique, the Théâtre des Champs-Élysées, De Nationale Opera in Amsterdam, the Theater an der Wien, the Vienna State Opera, La Monnaie in Brussels, the Barbican Centre in London, and Teatro alla Scala in Milan. International tours have also taken him to Mexico, New Zealand, Canada, and the USA. In addition to his work as a conductor, he is active as a harpsichordist and chamber musician. His recordings of works by, among others, François Couperin, Rameau, Scarlatti, and Johann Sebastian Bach are considered reference recordings. He is also a sought-after educator and teaches at renowned institutions and academies. As a guest conductor, Christophe Rousset collaborates with major opera houses and orchestras. Furthermore, he is active as a musicologist and author, having published monographs on Rameau and François Couperin. Christophe Rousset is a Chevalier of the Legion of Honour, Commandeur of the Ordre des Arts et des Lettres, and Officier of the Ordre national du Mérite. In 2024, he was awarded the Handel Prize by the city of Halle.

Ascanio in Alba13 / 20 Mar 2027
Chorus Master:
Alice Lapasin Zorzit

Alice Lapasin Zorzit

Alice Lapasin Zorzit completed her piano studies at the Conservatorio di Musica Luigi Boccherini in Lucca and continued her education at the Anton Bruckner Private University in Linz, where she graduated with distinction in 2018 with a bachelor’s degree in choral conducting. During this time, she gained her first experience in the opera world as a répétiteur at the Landestheater Linz. In 2017, she took part in the Riccardo Muti Italian Opera Academy and during the 2018/19 season worked as a répétiteur at the Orchestra Academy of the Zurich Opera House. In the 2019/20 season, she was engaged as assistant children’s chorus director and guest pianist at the Staatsoper Unter den Linden in Berlin. She subsequently continued her work at the Staatstheater Darmstadt, where from 2020 to 2022 she served as assistant chorus director and children’s chorus director. Alongside her professional development, she continued her academic education: in 2021, she completed a master’s degree in conducting and opera coaching at the University of Music and Performing Arts Graz, followed in 2022 by an executive master’s degree in cultural management (EMAA) at the University of Zurich. As a cultural manager, she was a scholarship holder of the Deutsche Bank Foundation (AMH) and in 2024 founded the artist agency ArteMIS. From 2023 to 2025, she was chorus director with conducting responsibilities at the Landestheater Coburg and in summer 2025 worked as chorus assistant at the Bayreuth Festival. Since January 2026, she has been assistant chorus director at the Zurich Opera House.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Ascanio in Alba13 / 20 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Cast


Venere Mélissa Petit


Ascanio Alisa Kolosova


Silvia Anna El-Khashem


Aceste, Priester der Venus Anle Gou


Fauno Eleonora Bellocci

Mélissa Petit

Mélissa Petit wurde in Saint-Raphaël (Südfrankreich) geboren und studierte am Konservatorium in Saint-Raphaël. 2009 gewann sie den 2. Preis des «Concorso Musica Sacra di Roma», später den 1. Preis beim Nationalen Wettbewerb in Béziers. 2013 gewann sie den 3. Preis der «Queen Sonja Competition» in Oslo. 2010-2013 war sie Mitglied des Internationalen Opernstudios in Hamburg. 2014 sang sie die Edilia in Händels Almira in einer Koproduktion der Hamburgischen Staatsoper mit dem Festival für Alte Musik in Innsbruck. Während der Spielzeit 2014/15 war sie u.a. an der Hamburgischen Staatsoper als Schwester Constance in Dialo­gues des Carmélites von Poulenc zu erleben. Ausserdem sang sie dort Barbarina in Le nozze di Figaro, Papagena in der Zauberflöte, Najade in Ariadne auf Naxos, Clorinda in La Cenerentola und die Titelrolle in Die unglückselige Cleopatra von Mattheson. Ab der Spielzeit 2015/16 gehörte Mélissa Petit zum Ensemble des Zürcher Opernhauses und war hier u.a. als Madame Silberklang (Der Schauspieldirektor), Philidel (King Arthur), Servilia (La clemenza di Tito), Ännchen (Der Freischütz), Sophie (Werther), Créuse (Médée), Eurilla (Haydns Orlando paladino), Marzelline (Fidelio), Johanna Barker (Sweeney Todd) und Aricie (Hippolyte et Aricie) zu erleben. In der Saison 2015/16 debütierte sie ausserdem an der Opéra Bastille in Paris als Giannetta (L’elisir d’amore), 2017 als Micaëla (Carmen) bei den Bregenzer Festspielen und 2018 als Juliette in Roméo et Juliette am National Center of Performing Arts in Peking. Im Sommer 2019 sang sie auf der Seebühne der Bregenzer Festspiele zudem Gilda in Rigoletto.

Ascanio in Alba13 / 20 Mar 2027

Alisa Kolosova

Alisa Kolosova, russische Mezzosopranistin, war Mitglied des Atelier Lyrique an der Opéra National de Paris und des Young Singers Program der Salzburger Festspiele. Von 2011 bis 2014 war sie Ensemblemitglied der Wiener Staatsoper, wo sie als Polina (Pique Dame), Olga (Eugen Onegin), Fenena (Nabucco), Annio (La clemenza di Tito) und Suzuki (Madama Butterfly) zu hören war. Ausserdem sang sie an weiteren renommierten Opern- und Konzerthäusern, wie der Opéra National de Paris, der Mailänder Scala, der Bayerischen Staatsoper, der Wiener Staatsoper, dem Concertgebouw Amsterdam, dem Kennedy Center Washington, der Carnegie Hall in New York sowie an den Salzburger Festspielen und dem Glyndebourne Festival. Sie arbeitete mit Dirigent:innen wie Riccardo Muti, Ivor Bolton, Vasily Petrenko, Andris Nelsons, Gianandrea Noseda, William Christie, Marin Alsop, Sir Andrew Davis und Sir John Eliot Gardiner. Zu ihrem Repertoire gehören u.a. Neris (Medea), Maddalena (Rigoletto), Samaritana (Zandonais Francesca da Rimini), Isoletta (La straniera), Federica (Luisa Miller), Dalila (Samson et Dalila) und die Titelrolle von Carmen. Zu ihren Höhepunkten im Konzertbereich gehören Schuberts Messe in Es-Dur unter Riccardo Muti bei den Salzburger Festspielen, Skrjabins 1. Sinfonie und Prokofiews Alexander Newski in der Carnegie Hall mit dem Chicago Symphony Orchestra unter Riccardo Muti sowie Beethovens 9. Sinfonie mit dem Orchestre Philharmonique de Radio France unter Mikko Franck. Jüngst gab sie u.a. ihr Rollendebüt als Ulrica (Un ballo in maschera) in Palma de Mallorca und sang Suzuki (Madama Butterfly) an der Bayerischen Staatsoper.

Ascanio in Alba13 / 20 Mar 2027

Anna El-Khashem

The Russian-Lebanese soprano Anna El-Khashem was born in St. Petersburg. She studied at the St. Petersburg State Conservatory and has received numerous awards, including in 2019 first prize at the International Singing Competition "Neue Stimmen" of the Bertelsmann Foundation, in 2018 first prize at the International Mozart Competition Salzburg, as well as being named Young Singer of the Year 2018 by “Opernwelt”. From 2016 to 2019 she was a member of the Opera Studio of the Bavarian State Opera in Munich, and subsequently until 2022 an ensemble member at the Hessian State Theatre Wiesbaden. There she appeared, among others, as Pamina in "The Magic Flute", Gretel in "Hansel and Gretel", Susanna in "Le nozze di Figaro", Woglinde in "Das Rheingold" and "Götterdämmerung", as well as Sophie in "Werther". In 2021/22 she made her debut at the Opéra national de Paris as Servilia in "La clemenza di Tito" and later also sang Susanna in "Le nozze di Figaro" as well as Zerlina in "Don Giovanni". At the Zurich Opera House she was first heard in a concert with La Scintilla under Riccardo Minasi and then took on Flavia Gemmira in "Eliogabalo", Clarine/Thalie in "Platée" as well as Romilda in "Serse". In the 2025/26 season she returns as Marzelline in "Fidelio". Further engagements take her as Silvia in "Ascanio in Alba" to the Théâtre des Champs-Élysées, the Theater an der Wien and the Opéra de Lausanne.

Ascanio in Alba13 / 20 Mar 2027

Anle Gou

Cast

Ascanio in Alba13 / 20 Mar 2027

Eleonora Bellocci

Cast

Ascanio in Alba13 / 20 Mar 2027
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Extra Choristers
Les Talens Lyriques

Extra Choristers

Cast

Ascanio in Alba13 / 20 Mar 2027

Les Talens Lyriques

Cast

Ascanio in Alba13 / 20 Mar 2027

Abstract

Wolfgang Amadeus Mozart was only fifteen years old when he composed «Ascanio in Alba». Celebrated throughout Europe as a child prodigy, he received the honorable commission from Empress Maria Theresa: the occasion was the wedding of her son, Archduke Ferdinand, in Milan. The work is an allegorical festive play: Venus brings her son Ascanio together with the nymph Silvia, who is of divine lineage. Magnificent choruses, a festive orchestra, and virtuosic arias in the style of opera seria made the serenata a great success already at its premiere. For the concert performance, Christophe Rousset and his ensemble Les Talens Lyriques will make their first appearance at the Zurich Opera House.

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